Outer sleeve/cover front and back
The artwork that's visible when opening the front of the cover
The paintings for the cover are titled "Work No. 217 ELP I" and "Work No. 218 ELP II". The original acrylic-on-paper paintings were lost (or stolen) after a Giger exhibition at the National Technical Museum in Prague, which ended 31 August 2005. Giger's ELP logo, using a circular enclosure of the "E" and upper portion of the "P", around a column formed by the "L" and the vertical of the "P", became a standard for the band and has been used extensively since. Giger states in his book that Emerson, Lake & Palmer never paid the bill for his artwork for this album.
"The mid-'70s were full of attempts to shock the public," Emerson says of the band's choice of artist. "You'd do it on the stage, in artwork, and do it in your music; try to push the limits. We chose this artwork because it pushed album cover art to its extreme." Keith Emerson had the album's primary imagery airbrushed onto the fuel tank of a Harley Davidson motorcycle, pictured on his official page with himself and separately with Moog synthesizer inventor Robert Moog astride.
On later vinyl printings (and most CD releases), the front cover is a single piece, and the alternate ("face") view is used on the back cover. However, the 1993 Victory Music CD reissue packaged the album in a special Digipak with the original split cover art, which also unfolded to reveal a small poster with the lyrics and band photos from the original album inner sleeve. The 1996 Rhino edition used a lenticular cover, with the two images morphing into each other when the case moved. Both paintings were created in pure shades of grey airbrush, to appear metallic and mechanical. However, on some releases of the album, the cover was printed with too much red, making the image (in Giger's words) "cow-shit-pile-brown".
Front side of the die cut poster
Back side of the poster
Released | 19 November 1973 |
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Recorded | June–September 1973, Advision Studios and Olympic Studios, London, England |
Genre | Progressive rock |
Length | 45:04 |
Label | Manticore |
Producer | Greg Lake |
Side A Side B
Manticore K 53501 - BRAIN SALAD SURGERY (LP, fold-out die cut sleeve with poster).... 25GBP
Track Listing
Side one | ||||||||||
---|---|---|---|---|---|---|---|---|---|---|
No. | Title | Length | ||||||||
1. | "Jerusalem" (William Blake, Hubert Parry as adapted by Keith Emerson, Greg Lake, Carl Palmer) | 2:41 | ||||||||
2. | "Toccata" (Alberto Ginastera, arr. Emerson) | 7:16 | ||||||||
3. | "Still...You Turn Me On" (Lake) | 2:50 | ||||||||
4. | "Benny the Bouncer" (Emerson, Lake, Peter Sinfield) | 2:15 | ||||||||
5. | "Karn Evil 9: 1st Impression, Pt. 1" (Emerson, Lake) | 8:39 |
Side two | ||||||||||
---|---|---|---|---|---|---|---|---|---|---|
No. | Title | Length | ||||||||
6. | "Karn Evil 9: 1st Impression, Pt. 2" (Emerson, Lake) | 4:43 | ||||||||
7. | "Karn Evil 9: 2nd Impression" (Emerson) | 7:05 | ||||||||
8. | "Karn Evil 9: 3rd Impression" (Emerson, Lake, Sinfield) | 9:05 |
Inner sleeve
The vinyl disc on the first pressing of the album in 1973 had the album cover image on the disc not the Manticore records label.
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